Buying an original Minimoog will burn a hole in your pocket, but snapping up a soundalike plugin won’t.

On deck is Kelly Rodriguez, Product Marketing Coordinator at Output. A lifelong music lover and music creator with enthusiasm to spare, Kelly is an integral part of the marketing team who helps bring creative campaigns to life.

Get a look behind the sounds at Output. On deck: Rachel Larralde, QA Analyst, whose voice you can hear within the Arcade Line Hooked.

We chat with LP Giobbi, the female DJ and producer who has carved a lane for herself as the “piano house queen” and as a champion for women entering the dance music space.

Introducing Arpeggiator: A powerful new multi-layered performance and arrangement feature in Arcade, now available in update 2.2.

Entertainment attorney and industry consultant Kevin Casini breaks down the five key points every artist should understand going into a deal.

Maclaine Diemer is the lead composer for video game developer ArenaNet. In this edition of Talkback, he demonstrates how two Output FX plugins — Movement and Portal — help him dial in the atmosphere.

TOKiMONSTA joins Output CEO Gregg Lehrman, Editorial Director Dani Deahl, and Native Instruments’ Mahtab Neptune to chat about the future of bedroom producers.

Each month, we release fresh sounds in Output’s inspiration machine, Arcade. Meet our latest Line, Pop Underground, stuffed with technicolor synthesizers, ‘90s-style drums, and fuzzy indie rock guitars.

Los Angeles composer Emile Mosseri (Minari) walks us through his home studio, outfitted with our Platform desk and Frontier Studio Monitors.

Are NFTs a viable way for artists to make a living? Artist and blockchain engineer Johnny Shankman (aka White Lights) breaks down the basics.

So, you want to get a record pressed. What does it cost? Do you need to prep your audio? Do you choose lacquer or lathe cut? We explore the details.